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donderdag 18 mei 2017

A Glass of Beer, by David O’Bruadair (1625 – 1698)

The lanky hank of a she in the inn over there
Nearly killed me for asking the loan of a glass of beer;
May the devil grip the whey-faced slut by the hair,
And beat bad manners out of her skin for a year.
That parboiled ape, with the toughest jaw you will see
On virtue’s path, and a voice that would rasp the dead,
Came roaring and raging the minute she looked at me,
And threw me out of the house on the back of my head!
If I asked her master he’d give me a cask a day;
But she, with the beer at hand, not a gill would arrange!
May she marry a ghost and bear him a kitten, and may
The High King of Glory permit her to get the mange.


David O’Bruadair (1625 – 1698)

Dáibhí Ó Bruadair (1625 – January 1698) was one of the most significant Irish language poets of the 17th century. He lived through a momentous time in Irish history and his work serves as testimony to the death of the old Irish cultural and political order and the decline in respect for the once honoured and feared poetic classes. His ode, D'Aithle Na bhFileadh (The High Poets are Gone) upon the death of a fellow poet is a particularly poignant reminder of this decline and lament that Ireland was now a far less educated place due to it. ... Ó Bruadair was the first of the 17th-century poets to attempt to live purely from his poetry, in the manner of the professional bards of the medieval period. It would seem that this attempt was not particularly successful, as his poem Is mairg nár chrean le maitheas saoghalta indicates that he was reduced to working as a farm labourer. He died in poverty and, as poems such as Mairg nach fuil 'na Dhubhthuata (O It's best be a total boor) show, with bitterness on him towards the 'blind ignorant crew' that was the peasantry. This view was reflected by other poets such as Brian Mac Giolla Phádraig. As well as Irish, Ó Bruadair knew Latin and English. He was a poet of considerable range, and wrote on historical and political subjects, as well as producing elegies on a number of his patrons, bitter satires on Cromwellian planters, religious poems of real feeling and, almost uniquely amongst Gaelic poets, at least two epithalamia. His versification was equally varied, and he wrote in both syllabic and assonantal metres ( His historical poems show the influence of Geoffrey Keating, his favorite Irish author. He wrote elegies on the deaths of many historically prominent members of the leading Munster families, especially the Bourkes of Cahirmoyle, the Fitzgeralds of Claonghlais, and the Barrys of Co. Cork, who later befriended him in his poverty. All his poems, whether historical, social, or elegiac, are marked by a freshness rare in the seventeenth century and they furnish many interesting details about the life and manners of his time ( 

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